She is left all alone with Saahil in London, but she asks him to take her to Scotland by road. When Neha and her family are about to leave for Scotland, she misses the train. Saahil takes them on trips around London. They book Saahil’s travel agency to guide them in and around U.K. Reason: Saahil needs to make money for his mother’s treatment, who lies on her death-bed in a hospital.Įnter Neha, who is on a holiday tour with her family.
The duo con their clients to make some extra money. Saahil runs a travel agency with a friend in U.K., which undertakes traveling and sight-seeing in and around U.K. Give it a try, you won’t be disappointed! Overall, DIL DIYA HAI is no masterpiece, but it’s without doubt a watchable fare. Another reason why DIL DIYA HAI works is because the performances by the four vital characters - Emraan, Ashmit, new-find Geeta Basra and Mithun - are commendable. Not that DIL DIYA HAI is foolproof in terms of writing, but the poignant moments in the plotline more than camouflage the deficiencies. For, it’s the drama in the post-interval portions as well as the stylish execution that makes DIL DIYA HAI a notch above the ordinary. However, Datt seems to have overcome the deficiencies in his new film. In his directorial debut AASHIQ BANAYA AAPNE, Datt showed that he was proficient technically, but the rough edges in the writing showed their ugly head occasionally. But, thankfully, Datt handles the theme with competence, making you realize that he’s climbed the ladder as a storyteller. Most of the times, an interesting concept runs out of gas due to inept and shoddy handling.ĭirector Aaditya Datt’s second outing DIL DIYA HAI also boasts of a rarely-seen-earlier plot.
It’s courageous to take an unconventional plot, but it’s imperative to do justice to it.
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